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Just a couple of kids (READ: NOT ACTUALLY PEOPLE AT PIXAR, JUST NORMAL BLOGGERS WITH COMPUTERS) working together to bring you the screenshots, video, music, and stills from all the Pixar movies.
We love you guys, we truly do!
Submit or ask anything to us any time!

Movies: Toy Story (1995), A Bug's Life (1998), Toy Story 2 (1999), Monsters, Inc. (2001), Finding Nemo (2003), The Incredibles (2004), Cars (2006), Ratatouille (2007), WALL-E (2008), UP (2009), Toy Story 3 (2010), Cars 2 (2011), Brave (2012), Monsters Inc. 2 (2012).

Shorts:The Adventures of Andre and Wally B (1984), Luxo Jr. (1986), Red's Dream (1987), Tin Toy (1988), Knick Knack (1989), Geri's Game (1997), For The Birds (2000),
Mike's New Car (2002), Boundin' (2003), One Man Band (2006),
Lifted (2006), Presto (2008), Partly Cloudy (2009), Day and Night (2010)

Pixar friends: Legal Free Music, Monsters Inc., Wall-E, Fcuk Yeah Pixar, UP, Toy Story. Clopin, Disney Classic, Beauty and the Beast, Pocahontas, Disney Daily, Disney Moments, Hey Mickey Mouse, Hey Disneyverse, Movie Photography, fyeah Ken and Barbie, Nothing Sounds Better, Disney King, fuckyeahpixarfilms, The Pixar Times, Pixar Gifs, Tangled,

30 July 12
elliefredricksen:

thedailywhat:

Letter Of Note of the Day: Pete Docter joined Pixar 22 years ago, and since then he’s had a major hand in hits including Toy Story, Toy Story 2, Monsters, Inc., and Up.
Middle school teacher Martin Kelsey wrote to Docter in 2009, asking for some advice to pass on to his students.
Docter’s reply was all encouragement:

What would I tell a class of Middle School students?
When I was in Middle School, I liked to make cartoons. I was not the best artist in my class — Chad Prins was way better — but I liked making comic strips and animated films, so after High school it was no surprise that I got into The California Institute of the Arts (CalArts), a school that taught animation.
CalArts only accepts 25 students a year, and it attracts some of the best artists in the country. Suddenly I went from being one of the top artists in my class to being one of the absolute worst. Looking at the talented folks around me, I knew there was no way I would make it as a professional. Everyone else drew way better than I did. And I assumed the people who were the best artists would become the top animators.
But I loved animation, so I kept doing it. I made tons of films. I did animation for my friends’ films. I animated scenes just for the fun of it. Most of my stuff was bad, but I had fun, and I tried everything I knew to get better.
Meanwhile, many of the people who could draw really well kind of rested around and didn’t do a whole lot. It made me angry, because if I had their talent, man, the things I would do with it!
Years later, a lot of those guys who probably still draw really well don’t actually work in animation at all. I don’t know what happened to them. As for me, I got hired at Pixar Animation Studios, where I got to work on Toy Story 1 and 2, direct Monsters, Inc., and Up (due out May 29th this year).
So, Middle School Student, whatever you like doing, do it! And keep doing it. Work hard! In the end, passion and hard work beats out natural talent. (And anyway, if you love what you do, it’s not really “work” anyway.)
Good luck,
Pete Docter

[lettersofnote]

One of the executive producers of Brave~!

elliefredricksen:

thedailywhat:

Letter Of Note of the Day: Pete Docter joined Pixar 22 years ago, and since then he’s had a major hand in hits including Toy Story, Toy Story 2, Monsters, Inc., and Up.

Middle school teacher Martin Kelsey wrote to Docter in 2009, asking for some advice to pass on to his students.

Docter’s reply was all encouragement:

What would I tell a class of Middle School students?

When I was in Middle School, I liked to make cartoons. I was not the best artist in my class — Chad Prins was way better — but I liked making comic strips and animated films, so after High school it was no surprise that I got into The California Institute of the Arts (CalArts), a school that taught animation.

CalArts only accepts 25 students a year, and it attracts some of the best artists in the country. Suddenly I went from being one of the top artists in my class to being one of the absolute worst. Looking at the talented folks around me, I knew there was no way I would make it as a professional. Everyone else drew way better than I did. And I assumed the people who were the best artists would become the top animators.

But I loved animation, so I kept doing it. I made tons of films. I did animation for my friends’ films. I animated scenes just for the fun of it. Most of my stuff was bad, but I had fun, and I tried everything I knew to get better.

Meanwhile, many of the people who could draw really well kind of rested around and didn’t do a whole lot. It made me angry, because if I had their talent, man, the things I would do with it!

Years later, a lot of those guys who probably still draw really well don’t actually work in animation at all. I don’t know what happened to them. As for me, I got hired at Pixar Animation Studios, where I got to work on Toy Story 1 and 2, direct Monsters, Inc., and Up (due out May 29th this year).

So, Middle School Student, whatever you like doing, do it! And keep doing it. Work hard! In the end, passion and hard work beats out natural talent. (And anyway, if you love what you do, it’s not really “work” anyway.)

Good luck,

Pete Docter

[lettersofnote]

One of the executive producers of Brave~!

(Source: thedailywhat)

Reblogged: 1elliefredricksen

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